technology

Circuit Garden in NYC /  by kelly heaton

“Circuit Garden” by Kelly Heaton was curated by Common Ground Arts and commissioned by Arts Brookfield for Manhattan West and Brooklyn Commons. Video courtesy of Brookfield Arts and Micah Joel Productions

Circuit Garden celebrates our electronic culture and invites us to contemplate nature – specifically human nature in symbiosis with machine intelligence. Artist Kelly Heaton presents a large-scale circuit board in the form of an artificial lawn that is “planted” with plush sculptural electronic devices. The work evokes a playful garden, or a vintage circuit board that has been enlarged to human scale. Situated in the landscape of Circuit Garden, viewers will discover smaller functional circuits that mimic animal behaviors, such as birdsong and chirping crickets. As the viewer approaches the installation to investigate further, Heaton’s analog electronic designs generate these naturalistic sounds in real time.  The sonic landscape of Circuit Gardenis thus brought to life by electric vibrations of artificial origin and not recordings of real birds and crickets, as one might expect.

 STATEMENT BY KELLY HEATON: 

“Electronic technology is profoundly shaping our world. Many people are symbiotic with their smart phones and digital presence. Artificial intelligence is growing smarter, and our concept of “nature” is being radically transformed by engineering.  Electricity is the most important invention since the discovery of fire. Yet, the art of electrical engineering is not well understood or practiced by people outside of the scientific community. I would like to invite everyone—not only engineers—into a conversation about electronic culture, nature, and the rise of machine intelligence. While most artists work with digital media, I focus my creative practice on electronic hardware because circuits are the physical body without which there would be no digital media. Like a biologist studies animals, I study circuits to understand the physiology of intelligent machines. I am inspired by Nikola Tesla’s statement, “If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.” My art explores these concepts literally in the form of circuits that vibrate in naturalistic patterns. Circuit Garden pays homage to electrical oscillation, specifically to the astable multivibrator, which is my favorite method to generate life-like waveforms.”

Child Psychology /  by kelly heaton

The psychological development of a child raised by electronic devices, 2018.Watercolor on paper, 15" x 18"

The psychological development of a child raised by electronic devices, 2018.
Watercolor on paper, 15" x 18"

The children born into recent generations have an intimate relationship with machine intelligence. Technology is not a mere instrument of mankind -- it shapes our identity, and machine intelligence is influencing consciousness like never before. Computer-mitigated experience may be artificial, but it is no less "real" to the mind than natural phenomena. Computers have infiltrated the inner sanctum of human beingness. Arguably, our sanity is more vulnerable to Grid failure than our physical survival. As for whatever legacy endures beyond this fragile time in history, imagine the incredulity of future generations. Our stories will seem as far-fetched as flying saucers in the Hindu Vedas. What ordinary Earthling would believe that humans could encode intelligence on a silicon wafer the size of a flea, let alone sculpt the genome of living organisms?

What’s sad about this image is the replacement of ancient archetypes (the sun, for example) with archetypes that will not last (the light emitting diode, for example). Every generation and even civilizations are destined to die, but the archetypes have remained for thousands of years and united us with our ancestors. Our connection to this continuum of human meaning is profoundly comforting and is the basis of human identity (i.e., Joseph Campbell). When a civilization departs from natural, timeless archetypes and adopts symbols that depend upon man’s current technologies, then the loss is infinitely greater — our symbols will perish, and there will be a break in the story of human history.

Transhuman Goalie /  by kelly heaton

Transhuman Goalie, 2017. Digital sketch

Transhuman Goalie, 2017. Digital sketch

From Wikipedia: "Transhumanism (abbreviated as H+ or h+) is an international and intellectual movement that aims to transform the human condition by developing and making widely available sophisticated technologies to greatly enhance human intellect and physiology.[1][2]"

What does it mean to enhance the human being? In my experience, weaknesses are a gift for personal reflection and spiritual growth. Will enhanced people be more superficial; and if so, what is "enhanced" about that? 

The Raft of Medusa /  by kelly heaton

"The Raft of Medusa" (1 in a series of 5 unique works), 2017. 39.5" x 54.25" Archival inkjet print, silk screen, and acrylic on canvas

"The Raft of Medusa" (1 in a series of 5 unique works), 2017. 39.5" x 54.25" Archival inkjet print, silk screen, and acrylic on canvas

I created five unique versions of this print during my summer residency at Otis College of Art and Design. This work was made possible thanks to support from Creative Capital, Otis College of Art and Design, Ronald Feldman Fine Arts, and volunteer models. "The Raft of Medusa" (1 of 5) will be donated to the Leonardo DiCaprio Foundation 2017 auction to raise money for environmental defense and climate change activism. For more information about the auction, please contact Lisa at Schiff Fine Art (info@schifffineart.com or (646) 478-8561). For more information about other prints in this series of 5, please contact Marco Nocella at Ronald Feldman Fine Arts (marco@feldmangallery.com or 212-226-3232).

BACKGROUND

Painted in 1818-1819, Théodore Géricault’s “The Raft of the Medusa” is a masterpiece of human error, desperation, and resilience. I recreated this legendary artwork for the purpose of climate change activism. I used a raft made of trash, rising ocean levels, and a carbon-saturated atmosphere to situate 21st century people adrift on a dangerous sea that they largely ignore. One occupant of the raft looks distressed, but the others are preoccupied with their cells phones or focused on other people. My message is reinforced with sea snakes and electrical cords that remind us of Medusa, the mythological woman who was cursed by Athena for her insufferable vanity.

Above: details from The Raft of Medusa (1 of 5), 2017.
Below: Images from my process of creating "The Raft of Medusa" series of 5 unique prints. The first three images show the raft that I built from trash collected in Los Angeles. The people are volunteers who came separately to be photographed on the raft. Using Photoshop, I collaged everyone into a single, coherent composition that I printed onto canvas using an Epson archival inkjet printer. Next, I created films for each design and color layer of silk screen. I burned a series of screens that I used to print "spot colors" of designs onto the canvas that add depth and texture to the rising ocean, the carbon-saturated sky, the electrical cords, and the serpents of Medusa. I screen-printed onto my inkjet print because I wanted to make nature and electricity literally encroach upon the raft and its occupants - who represent all of human civilization. Sadly, humanity is largely self-absorbed and unresponsive to the crisis of climate change. 

Above top row: three volunteers from the community of Otis College of Art and Design who individually posed for The Raft of Medusa (2017)
Above middle row (left to right): my digital master file, selecting negatives for burning screens, applying photo emulsion to a silk screen. Photos of me working on the piece are courtesy of Antonia Jones of Los Angeles.
Above bottom row (left to right): rinsing my screen to reveal an image, registering my canvas prior to printing, pulling ink through the screen to print on the canvas. Photos courtesy of Antonia Jones of Los Angeles.

open studio: technology-dependent person /  by kelly heaton

Technology is changing our entire experience of reality. I grew up without email or cell phones, and only started to use a word processor in high school. Landline phones, TV, movies, and radio offered escapes from reality, but people basically lived in the real world all. of. the. time. Even when we were bored, we hung out in the real world. Now, the instant we experience boredom or social isolation, we check our email. We text instead of calling or talking in person. We search the web. We update our blog and procrastinate on social media. Our entire psychological construct is evolving from physical reality to virtual. Even our dreams replay experiences that do not exist in physical reality. What would Jung and Freud say? As we withdraw from nature and into ourselves, into fantasy and ephemera, we are ever-more vulnerable to basic realities that once occupied humans all of the time. Danger, Will Robinson.